Posts Tagged ‘Mona Lisa’

(Leonardo Da Vinci-self portrait circa 1512)

Leonarda da Vinci has long been my favorite artist. I thought about doing a blog posting on him several times over, but never could focus all the awesomeness into one idea succinct enough for a post. But, as will happen when the time is right, I scored a copy of a book entitled Math and the Mona Lisa: The Art and Science of Leonardo da Vinci by Bülent Atalay. From this score came the succinct thought that I needed. Leonardo da Vinci is known of as a renaissance man. Indeed, it was probably he as a subject, who first generated the term, because of his knowledge, curiosity and deep comprehension of so many varied, and seemingly polar opposite, subjects. Math and art. Science and religion. Circles and squares. These are all supposed opposites, and are also all ideas that Leonardo da Vinci was able to connect with his fabulous and inventive mind (a mind that is referred to as being seemingly superhuman, by some)

Since there are so many great ideas presented in Atalay’s book, I’ll just focus on a few and I’ll spread them out over a couple of postings. Too much goodness just goes to my head! I’ll start off with a quote:

For mathematicians and physicists it is undeniable that there exists inherent beauty in mathematics. This is the aesthetics of mathematics. Perspective, proportion, and symmetry in any context are quantifiable. Accordingly, art indeed possesses quantifiable aspects. There is the symmetry expressible in mathematical terms and then there are ‘nature’s numbers.’ These notations figure into the mathematics of aesthetics. The associated quantification  can be formulated at various levels of mathematical sophistication…The Fibonnaci series gives rise to the notion of dynamic symmetry, the golden section, or the ‘divine proportion,’ which Fibonacci himself could not have anticipated. Three hundred years after Fibonacci formulated the series Leonardo da Vinci illustrated a book called De divinia proportione. But the integration of science and art has many more strands than Fibonacci’s mathematics and Leonardo’s art: It also draws in elements of architecture, astronomy, biology, chemistry, geology, engineering, mathematics, philosophy, physics–encompassing the extraordinary range of Leonardo da Vinci’s interests. For him these were branches of the same tree, part of a grand unified structure, the universe. (Ataly, pg 14)

For those of you who skipped the quote, it basically said that beauty is often quantifiable through perspective, proportion, and symmetry and that for Leonardo da Vinci science, mathematics and art were all various parts of the same whole.

Up next…how is the Mona Lisa able to stare at you wherever you go? It’s beautiful…and it’s math.

(Leonardo Da Vinci-Flower of Life drawing)


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